Eleven months after she last played for us, pianist Jill Crossland returns to St John’s as our first musician in a season of eight Tuesdays Till Two concerts running between April 25th and 13th June. Jill is known for her interpretation of music by composers such as J S Bach, Mozart and Scarlatti, and Chopin. In this concert she will play sonatas by Scarlatti, nocturnes by Chopin, and the Bach Partita No 1 in B flat, BWV825.
As usual the café will be open from noon, serving a range of hot drinks and homemade quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.
The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £4.
Jill Crossland pursues an active concert and recording career. Jill plays regularly on the South Bank and at the Wigmore Hall in London, and her recent appearances have also included Cadogan, Bridgewater and Fairfield Halls, St George’s Bristol, the Leipzig Gewandhaus, Vienna Musikverein, Vienna Konzerthaus, the National Concert Hall, Dublin and the Sage Gateshead. Jill’s recordings include the Bach Goldberg Variations on Warner Classics and works by Handel, Scarlatti, Mozart and Beethoven. Jill has featured in the Classic FM Hall of Fame and her release of the complete Bach’s Well Tempered Clavier has received high praise, described by the Penguin Guide as ‘a remarkable achievement, ranking with the finest’ Jill was a member of the Arts Council Musicians in residence scheme for Yorkshire. Jill has appeared on radio and TV, including live and recorded broadcasts on BBC Radios 3 and 4. More information about Jill can be found on www.jillcrossland.com and you can see her performances on Youtube at http://www.youtube.com/user/JillCrosslandPiano
Jill has recently recorded CDs of the keyboard works of Rameau (the collections from 1706 and 1724) issued last year on Signum Classics, described by Gramophone as ‘intelligent, stylish, tasteful, tonally resourceful and beautifully recorded.’ and, in the same sessions, another of Mozart and Beethoven (the Moonlight sonata and the Bagatelles Op 126) described as having “thoughtfulness, liquidity” and “driven excitement” in International Record Review. Jill is just completing post-production of recordings of Bach, Mozart and Chopin and the first pre-production examples will be available for sale at the concert.