28th September: 7.30pm Evening Concert: Emma Besselaar and Antonio Oyarzabal (Cello & Piano)

This duo recital by Dutch cellist Emma Besselaar and Spanish pianist Antonio Oyarzabal features music composed in times of war.

Book nowAdvance tickets will be available from the welcome counter in St John’s when the church is open at £8, or online for £8.50. Tickets will also be available on the door for £10. Doors open at 7pm. Interval refreshments will be provided by The Green Backyard pop-up café team.

Programme:

Debussy – Cello Sonata (1915)
Janáček – Pohádka (1910-1923)
De Falla – Suite Populaire Espagnole (1914)
Martinu – Sonata No. 2 (1941)

About Emma Besselaar:

Emma Besselaar is currently a Guildhall Artist Fellow at the Guildhall School of Music & Drama, London. In June 2017, she completed her Masters Degree at the same institution with Distinction, studying with Louise Hopkins. Previously, she studied with Quirine Viersen at the Conservatoire of Amsterdam, graduating in June 2014 with ‘very good results’. During her studies, she followed regular lessons with Dmitri Ferschtman and studied baroque cello with Viola de Hoog. From the age of 15, Emma attended the Young Talent Class at the Conservatoire of Amsterdam, where she took lessons with Maarten Mostert.

Emma attended masterclasses including with Raphael Wallfisch, Troels Svane, Adrian Brendel, Anner Bylsma and attended the International Musicians Seminar at Prussia Cove in April 2015, following masterclasses with Ralph Kirschbaum. She is a laureate of various competitions in the Netherlands and an active chamber musician – her piano trio was awarded the first prize in the St. James Chamber Competition and in July 2016 she performed Messiaen’s Quartet for the End of Time at the Torroella Festival (Spain) with another of her chamber groups, the Idiomelo Ensemble. In May 2017 she performed chamber works by Mahler and Webern in the Barbican Hall, London. In the Netherlands she regularly gives concerts for Kunst in de Kamer and Live Music Now and is involved in the Dutch chamber music initiative Cugnon Project. As an orchestra musician, Emma has been a member of the European Union Youth Orchestra, the Britten-Pears Orchestra (at Aldeburgh Festival) and the Dutch Youth String Orchestra, where she was the principal cellist.

Emma plays on a cello (Francesco Toto, Cremona, 2007) given on loan by the Dutch National Instrument Foundation. Her study in London is made possible by a scholarship from the Dutch Prins Bernhard Cultuurfonds.

About Antonio Oyarzabal:

Antonio Oyarzabal is a concert pianist born in Bilbao (Spain) in 1989. He studied in Musikene with Marta Zabaleta and Miguel Borges. Later he graduated in Masters as a piano soloist at the Guildhall School of Music and Drama, where he recently finished the Artist Diploma, studying with Caroline Palmer. Antonio combines solo piano and chamber music performances. As a chamber music pianist, Antonio has recently made his debut in Barbican Hall performing Webern piano quintet for a pre-LSO performance . He has also performed with clarinetist Andrew Marriner, and with the Allegri Quartet and Southbank Sinfonia. As a soloist with orchestra, he has played Mozart Piano Concerto nº23 with Aldwych Sinfonia, Mozart 9th Piano Concerto with JOL in Spain, Shostakovich Piano Concerto in F with London Euphonia Orchestra and Poulenc Concerto for two pianos and orchestra (Spain). Antonio has also performed Gershwin Rhapsody in Blue with European Union Youth Orchestra in Grafenegg, Austria. In January this year he performed Ravel Piano Concerto in G with YMSO at St John Smith Square.

As a solo pianist, Antonio performs recitals around the UK, in Spain, and abroad; and has recently presented his CD The Inner Child around Spain, in St Martin in the Fields (London) and in many cities around UK. This debut CD was recorded with Orpheus Classical international record label and has very recently been awarded the Golden Melomano prize in prestigious Melomano magazine.

Antonio received the Audience Special Prize and Finalist Prize in Campillos International Competition 2015, and the 2nd prize at the “Concours International d’Ile de France” in Paris, 2008. Antonio was the pianist of the London Philharmonic Orchestra – Foyle Future Firsts Programme 16/17.

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2nd October: Lunchtime Concert – Jill Crossland (Piano)

Jill Crossland is known for her interpretation of music by composers such as J S Bach, Mozart and Scarlatti, and Chopin. In this concert she will play sonatas by Scarlatti, a selection from Bach’s “Well-tempered Clavier” and a selection of Schubert “Moments Musicaux” and Impromptus.

As usual the café will be open from noon, serving a range of hot drinks and homemade quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.

The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £5.

About Jill Crossland:

Jill Crossland pursues an active concert and recording career. Jill plays regularly on the South Bank and at the Wigmore Hall in London, and her recent appearances have also included Cadogan, Bridgewater and Fairfield Halls, St George’s Bristol, the Leipzig Gewandhaus, Vienna Musikverein, Vienna Konzerthaus, the National Concert Hall, Dublin and the Sage Gateshead. Jill’s recordings include the Bach Goldberg Variations on Warner Classics and works by Handel, Scarlatti, Mozart and Beethoven. Jill has featured in the Classic FM Hall of Fame and her release of the complete Bach’s Well Tempered Clavier has received high praise, described by the Penguin Guide as ‘a remarkable achievement, ranking with the finest’ Jill was a member of the Arts Council Musicians in residence scheme for Yorkshire. Jill has appeared on radio and TV, including live and recorded broadcasts on BBC Radios 3 and 4. More information about Jill can be found on http://www.jillcrossland.com and you can see her performances on Youtube at http://www.youtube.com/user/JillCrosslandPiano

Jill has recently recorded CDs of the keyboard works of Rameau (the collections from 1706 and 1724) issued last year on Signum Classics, described by Gramophone as ‘intelligent, stylish, tasteful, tonally resourceful and beautifully recorded.’ and, in the same sessions, another of Mozart and Beethoven (the Moonlight sonata and the Bagatelles Op 126) described as having “thoughtfulness, liquidity” and “driven excitement” in International Record Review. Jill is just completing post-production of recordings of Bach, Mozart and Chopin and the first pre-production examples will be available for sale at the concert.

9th October: Lunchtime Concert – Winterreise (Part 1)

In this lunchtime concert Bass-Baritone Robert-John Edwards and pianist Gina Kruger will perform the first part of Schubert’s Winterreise (Winter Journey) D911. This cycle of 24 songs was composed and published in two separate halves during 1827, and today’s concert is a performance of the first twelve songs as published in January 1828. Winterreise is the second of Schubert’s great song cycles based on the poems of Wilhelm Müller, following on from Die Schöne Müllerin, which Jonathan Hanley performed in St John’s earlier in the year.

As usual the café will be open from noon, serving a range of hot drinks and homemade quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.

The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £5.

Robert-John Edwards will be returning to St John’s on 9th November, for an evening concert entitled “A Ploughman’s Tale”

About Robert-John Edwards:

Stamford-born Robert-John Edwards originally trained as a pianist and composer at Middlesex University and he later trained as a singer, attending the Royal Birmingham Conservatoire. Since winning the post-graduate course prize there, he has gone on to sing roles for Pavilion Opera, Heritage Opera, Buxton Festival Opera, Opera Minima, Operamus,
Stanley Hall Opera, Opera Seria, Secret Opera, Saffron Opera Group, Hashtag Opera and Apollo Opera. He was a member of the professional chorus at Buxton for five years.

About Gina Kruger:

Gina Kruger is a truly international artiste. She holds degrees in piano from the United States and a post-graduate diploma from the Royal College of Music, London. During her studies at the Royal College of Music, she won the Fossat Award for Chamber Music which resulted in performances for the Queen of Denmark and a residency in France. She continues to appear as a recitalist locally and internationally.

16th October: Lunchtime Concert – Gabriella Pineda-Rodrigues & Kate Wishart (Soprano & Piano)

Join professional opera singer Gabriella Pineda-Rodrigues (Soprano) and Musical Director of Peterborough Opera Kate Wishart (Piano) for our last but one classical lunchtime concert of 2018. Full details of the programme are below.

As usual the café will be open from noon, serving a range of hot drinks and home-made quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.

The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £5.

Programme:

Silent noon – Vaughan Williams
Air champêtre – Poulenc
Ah love! But a day – Amy Beach
Frère voyez – Massenet (Werther)
Le secret – Fauré
Laudamus te – Mozart
Ganymed – Schubert
Ständchen – Strauss
O waly waly – Britten
Saper vorreste – Verdi (A Masked Ball)

About Gabriella:

Gabriella was a chorister in Peterborough Cathedral where she performed in regular live, televised broadcasts, sang for the Duchess of Gloucester and sang a solo Eucharist before gaining a full scholarship to study at Chetham’s School of Music.
In 2009. In her final year at Chetham’s Gabriella sang in the BBC proms performing Mendelssohn’s Elijah in 2011. At the age of 17, Gabriella sang as a choral scholar in the Royal Naval Chapel Choir in Greenwich, here she sang for the Queen in 2012, performed a solo on BBC radio 3 Choral Evensong, a solo Eucharist, a performance with the renowned Kronos Quartet and sang in two episodes of Songs of Praise.
Alongside singing, Gabriella is also a very passionate teacher, from age 19 she has taught classes of children and regular one to one singing lessons. Gabriella has sung in major venues in the UK; The Royal Albert Hall, The Royal Festival Hall and the Bridgewater Hall.
Gabriella was then awarded “The National Scholarship” to study at the Guildhall School of Music & Drama undertaking the BMus (Hons) Music degree under the tutelage of David Pollard. Gabriella continues a very busy schedule as a concert singer and recitalist. Gabriella’s opera credits include, Adele in Die Fledermaus (Chetham’s), Helena in A Midsummer Night’s Dream (Chethams), Mme Lidoine (2nd Prioress) in The Dialogues of the Carmelites (GSMD), Chorus in Le Donne Curiose (GSMD), Donna Elvira in Don Giovanni (GSMD), Alice Ford in Falstaff (AIMS) and 2nd Lady in The Magic Flute (British Youth Opera) Gabriella studies with the famous Coloratura Soprano Lillian Watson.

About Kate:

Kate Wishart went to the Guildhall School of Music and studied piano and percussion there before joining the Academy of the BBC orchestra as timpanist. After 10 years playing professionally she went to medical school and became a GP, whilst continuing to play music as an amateur. Since retiring, she has increased her musical activities and is developing a role as an accompanist. She is currently Musical Director of Peterborough Opera.

23rd October: Lunchtime Concert – Roger Stimson & Fergus Black (Violin & Piano) – “Second Violins!”

Second Violins!” features the talents not of an entire orchestral section but of just one (highly talented) violinist, Roger Stimson, and his piano accompanist, Fergus Black. In this lunchtime concert, Roger and Fergus will be playing the second violin sonatas of Vivaldi, Beethoven & Grieg.

As usual the café will be open from noon, serving a range of hot drinks and homemade quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.

The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £5.

Programme:

Vivaldi Sonata in A major Op.2 No. 2 RV31:

Presto (with small adagios)
Corrente
Adagio
Giga

Beethoven Sonata Op. 12 No. 2 in A major:

Allegro vivace
Andante, piu tosto Allegretto
Allegro piacevole (meaning enjoyed)

Grieg Sonata Op. 13 no. 2 in G major:

Lento doloroso
Allegro Vivace
Allegretto tranquillo
Allegro animato

9th November: 7.30pm Evening Concert – A Ploughman’s Tale

To commemorate the centenary of the end of World War One, a story of an everyman who fought in the trenches, told through songs by composers or with words by poets who lived through the time of The Great War.

Performed by Robert-John Edwards (Bass-Baritone) and Sara Wilander (Piano)

Book nowAdvance tickets will be available from the welcome counter in St John’s when the church is open at £8, or online for £8.50. Tickets will also be available on the door for £10. Doors open at 7pm. Interval refreshments will be provided by The Green Backyard pop-up café team.

Beginning with Ivor Gurney’s setting of “I Will Go With My Father A-Ploughing” and ending with the heart-breaking setting of Housman’s “Is My Team Ploughing?” by George Butterworth, himself killed in the trenches, twenty songs by a variety of composers tell the tale of a ploughboy, perhaps born around 1890. We start with him as a child, watching his father plough the fields and learning the farmer’s trade. The songs progress through his youth, where he becomes ambitious and then meets the girl of his dreams, woos her, marries her and has a child. He then joins the army, singing uplifting war songs before the horrors of the “Great” War begin to bite. He becomes home-sick, sees death up close and then, at his last hour, is desperate to go home.. The recital also includes a new original setting of McCrae’s “In Flanders’ Fields” composed by Robert-John Edwards.

Originally performed in 2014 as a 14 song recital “A Ploughman’s Tale” was expanded to a 17 song recital for BirminghamFest in 2015 and then again for an Armistice Day recital to its current 20 song format.

About Robert-John Edwards:

Stamford-born Robert-John Edwards originally trained as a pianist and composer at Middlesex University and he later trained as a singer, attending the Royal Birmingham Conservatoire. Since winning the post-graduate course prize there, he has gone on to sing roles for Pavilion Opera, Heritage Opera, Buxton Festival Opera, Opera Minima, Operamus,
Stanley Hall Opera, Opera Seria, Secret Opera, Saffron Opera Group, Hashtag Opera and Apollo Opera. He was a member of the professional chorus at Buxton for five years.

About Sara Wilander:

Sara Wilander was born in Sweden and started playing the piano at the age of eight. At the age of 15, she made her debut as a soloist with the Sinfonia Classica of Brussels, Belgium.
After preparatory studies at the Conservatoire National de Région of Chalon sur Saône, France, she completed her education at Royal Birmingham Conservatoire. She has participated successfully in Swedish, German, English and French competitions, as a soloist as well as an accompanist. She is an experienced performer and has appeared in both solo and chamber settings throughout Europe. She is in demand as a soloist, chamber musician, and as an accompanist.

25th September: Lunchtime Concert – Madeline Claire de Berrié & Jonatan Bougt (Soprano & Theorbo)

In May Swedish guitarist and theorbist introduced us to the delights of the theorbo. In today’s concert Jonatan is joined by soprano Madeline Claire de Berrié and together they will explore the treasures of early 17th century Italian song by composers such as Caccini, the type of music which originally led to the development of the theorbo, and songs from elsewhere in Europe influenced by them.

As usual the café will be open from noon, serving a range of hot drinks and homemade quiche, cakes, scones etc. All profits from the café will go to The Green Backyard.

The concert will begin promptly at 1pm. Admission is free, but those who are able to afford it are asked to make a donation. The suggested amount is £5.

Madeline and Jonatan first met in a production of Monteverdi’s L’Orfeo in 2016 and have since then collaborated in various projects together. This year they have teamed up for a programme with solo voice sung to the accompaniment by a theorbo. Today’s lunchtime recital explores the early 17th century Italian songs and its influence around Europe.

About Madeline Claire de Berrié:

British Soprano Madeline Claire de Berrié was a choral scholar at Trinity College, Cambridge, and subsequently studied at The Royal Conservatory of the Hague in The Netherlands. Madeline is currently studying for her Masters at The Guildhall School of Music and Drama in London and is participating in the 2017-2018 edition of BAROCK VOKAL at the Kolleg für alte Musik an der HfM Mainz.

For more information about Madeline visit http://www.madelineclairedeberrie.com

About Jonatan Bougt:

Swedish guitarist and theorbo player Jonatan Bougt is currently studying with Jakob Lindberg for a Master of Historical Performance at the Royal College of Music, London as a Musician’s Company Scholar. He holds a First Class Bachelor of Music (Honours) from the RCM having studied for Carlos Bonell and Chris Stell under which time he also won the RCM Guitar Prize in 2017. Jonatan has recently been selected for the Britten Pears Young Artist programme 2018 and the Live Music Now! Young Artist Scheme 2018/19 organised by the Brighton Early Music Festival.

For more information about Jonatan visit http://www.jonatanbougt.com